Play on Words

full length · drama

Representative Plays by American Dramatists: 1856-1911: In Mizzoura

15 roles (0M / 0F / 15 any) · approx 84–116 minutes · 4 acts

Royalty-free Public domain — free to read, perform, and adapt. No licence needed.

Characters

Jim lead 245 speeches
Joe lead 184 speeches
Kate supporting 142 speeches
Mrs. Vernon supporting 136 speeches
Bollinger supporting 86 speeches
Sam supporting 83 speeches
Dave supporting 78 speeches
Travers supporting 65 speeches
Em'Ly supporting 65 speeches
Lizbeth minor 57 speeches
Sarber minor 30 speeches
Esrom minor 13 speeches
Kelly minor 7 speeches
Discovered minor 4 speeches
All minor 3 speeches

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SCENE. VERNON'S _blacksmith shop, adjoining his living-room. Forge. Door to living-room above forge. Bellows down stage below forge. Bench with vise at left. Big double doors. Trusses. Tub of water back of anvil._

Discovered. JOE _and_ CAL _beating weld of tire;_ ESROM, _a half-witted negro, absently playing jew's-harp on trusses._

Joe. [_Wearing boots and leather apron._] Hand me the traveller. [HELPER _hands it, and drops tire horizontally on anvil, while_ JOE _runs traveller around it inside._] Jes' the same size--give it another heat an' we'll beat her out a quarter inch. [_Crosses to left centre._ HELPER _puts tire into fire and works bellows._] Esrom!

Esrom. Yes, sah.

Joe. I'm purty busy now, an' that tune--can't you let up till I'm through?

Esrom. Yes, sah.

Joe. An' while you're resting you might bring another bucket o' water an' dump it in this tub.

Esrom. [_Going._] Yes, sah--don't you really want to buy any mo' coke?

Joe. Not this morning, Esrom. [_Exit_ ESROM _with jew's-harp, playing._] Ready? [_Takes tire from fire and hammers weld out--when pounding is done, traveller runs over it as before. Enter_ MRS. VERNON.

Mrs. Vernon. Joe, can't you leave that now?

Joe. Course I can't, ma--it's Louisiana time now.

Mrs. Vernon. Well, the breakfast's spilin'. [_Exit._

Joe. [_Calling._] Well, it's Dave an' his durned alarm-clock--if I'd let Kate set it--I guess she's all right now, Cal. [HELPER _puts tire in fire--last heating._ JOE _goes to trusses and lays wheel square. Enter_ SARBER. SARBER _wears linen duster and boots, and carries a whip._] Hello, Bill.

Sarber. [_Down_] Hello, Joe--mighty nigh time. [_Looking at watch._

Joe. Won't be a minute longer--soon as we stretch her a little and drop her over this bunch of bones--

Sarber. [_Examining wheel._] Hello, Cal? [HELPER _nods._] Fellers ain't hurt?

Joe. Nothin' ain't hurt. [_Enter_ ESROM _with water._] This wheel's got as purty a dish as I ever see.

Sarber. Don't know why the durned weld broke.

Joe. Them steel tires are hard to make fast sometimes--

Esrom. Right heah, Joe.

Joe. Let her go.

ESROM _pours water into tub._

Esrom. [_Coaxingly._] No coke dis mawnin'?

Joe. No. [ESROM _exits._ _To_ SARBER, _pointing to dog under bench._] Ever see that chap before?

Sarber. The dog?

Joe. Yes.

Sarber. Is that the same one I dropped the rail on?

Joe. [_Nods._] Me an' Jim put his leg in splinters last night.

Sarber. [_Shaking head and smiling._] Jim!

Joe. [_Pointing to coach._] Looks like you been in the real estate business, Bill.

Sarber. Wall, yes--we took a turn or two at it.

_Enter_ BOLLINGER.

Bollinger. Hello, Sarber, when's your ingine start?

Sarber. Joe's fixin' one of her drivers.

Joe. [_Looking towards forge._] Won't be a minute, Tom.

Bollinger. Everybody waiting at the drug-store--we want to go 'fore it gets too hot,--folks says you're hanging back so Clark kin sell out his sody water.

Sarber. [_Looking at watch._] Shake her up, Joe.

Joe. I guess we're ready. [_Two_ NEGROES _of a quartette enter and stand idly about. Takes tire with_ HELPER.] Get out of the way. [_Drops tire on wheel and adjusts it. Drives pin through one hole._ KELLY _enters, looks at coach, and nervously about._

Joe. What's new, Tom, about Sam Fowler?

Bollinger. [_Looking at work._] Papers say the company has let him go.

Joe. Scott free?

Bollinger. Yes.

Joe. Then he'll have to pay his own board now.

Bollinger. I reckon.

JOE _and_ HELPER _carry wheel to tub and chill the tire._

Sarber. Think she'll stay now?

Joe. As soon as we get the bolts in her. [_Two other_ NEGROES _enter, completing the male quartette. Enter_ TRAVERS.] Look out.

_They lift wheel to trusses and silently adjust bolts. As this takes time, the_ NEGROES _fill in with songs._

Travers. [_Coming down with_ KELLY.] Well, what's up?

Kelly. I'm goin' to skip on this stage.

Travers. Why?

Kelly. Too hot,--see papers?

Travers. No.

Kelly. Well, young Sam Fowler will know you the minute he sees you--and he's comin' back to-day.

Travers. He can't get here till to-night, on account of the wash-outs--I'm going to risk it.

Kelly. Well, I quit you.

Travers. I risk more than you.

Kelly. All right, but you don't risk me. You went in the car, like a blamed fool, without a thing on your face--

VILLAGERS _at door_.

Travers. Be careful.

Kelly. Careful? I skip.

_They turn up right. Enter_ JIM.

Bollinger. Hello, Jim--Louisiana?

Jim. No. [_Kneels by dog-box._

Sarber. Hello, Jim?

Jim. Ain't you late?

Sarber. Joe's keeping me.

Jim. [_Pointing to door_.] Big load this mornin'?

Sarber. Yes, if they all go. [_Returns to wheel_. JIM _goes in house_.

Kelly. [_Coming down with_ TRAVERS.] You'd risk your neck for that girl?

Travers. I'm all right, Kelly. I'll get out to-night, but I've got to see her first.

_They go up and exeunt._

Bollinger. Joe.

Joe. Yes.

Bollinger. [_Looking off carefully_.] I see Jim last night after we left here. He says he's out of the race for Legislature.

Joe. That's what he says.

Bollinger. Why?

Joe. Well, what did _he_ say?

Bollinger. _Personal_ reasons.

Joe. Well, that goes--all right, Cal,--put her on now, an' let 'em get out.

_Wheel is done._ CAL _takes it up to coach_.

Bollinger. Well, you're jes' as good as elected then, Joe.

Joe. Think so?

Bollinger. Sure. See here. [_Aside_.] Folks down in Louisiana thinks Jim will be the nominee. I'm goin' down to-day to bet fifteen or twenty dollars he won't, 'fore they hear of it.

Joe. No promises.

Bollinger. No, sir-ee--put up, or shut up--I've got twenty-two and a half in my pocket--some of it's Clark's, but blamed little.

_Re-enter_ JIM _with pan of milk--kneels by dog and feeds it_.

Sarber. Now stand out of the way there.

Bollinger. Goin', Bill?

Sarber. Soon as we hitch.

_They take wagon out._ BOLLINGER, KELLY, TRAVERS _and_ SARBER _go out with wagon_.

Joe. Come Cal--[CAL _turns_.] Hash! [CAL _exits_.] Breakfast, Jim.

Jim. Had it.

Joe. Come, set with us. [_Exit, followed by_ JIM.

_Enter_ TRAVERS.

Travers. Kelly is right. I should go on that coach--but--I must see Kate--they're at breakfast--if I only--yes, just a minute. [_Beckons_ KATE.] I wish that fellow wasn't here.

_Enter_ KATE.

Kate. Mr. Travers.

Travers. I should leave on that coach.

Kate. Do I keep you?

Travers. Yes.

Kate. Why?

Travers. Because when I leave Bowling Green now, I shall never come back.

Kate. You--you are jesting.

Travers. In dead earnest. [_Slight clatter of dishes_--KATE _looks off_.] Do you care for that man?

Kate. [_Coming down_.] I admire him. I think he is a good and a noble character.

Travers. Better than I am.

Kate. He may be,--but--I don't love him--

Travers. Do you love me?

Sarber. [_Off_.] All ready; get in.

Kate. The stage is going. [_She turns_.

Travers. Do you love me?

Sarber. Get in.

Travers. Do you?

Kate. [_Pause_.] Yes.

Travers. Then let them leave--[SARBER _calling_ "git ap"--_and a whip cracks. We hear stage--voices go_.] Will you go with me--to-night?

Kate. How--go with you?

Travers. As my wife.

Kate. But why such haste? Why go as if we feared anything?

Travers. I must go to-night. Great interests depend upon it. I know your people don't like me, but I haven't time to humour them. Will you go?

Kate. Let me think till then.

Travers. Yes,--good-bye till to-night. [_Holds her hand--she turns as if to leave_.] Kate! Kate! Good-bye. [_Impulsive turn and embrace_.] Till to-night.

_Enter_ DAVE, _from breakfast_.

Dave. Huh! [_Shortly; more a chuck than an exclamation. The lovers start_.] Oh! Seminary!

TRAVERS _exits_.

Dave. [_Embarrassed--nodding off_.] Breakfast.

Kate. Thank you. [_Exits_.

Dave. [_Going to bench and beginning work on shaft with draw knife_.] Well--Lizbeth don't know so blamed much about books--[_Shakes head_.] But--huh--[_Shakes head again_.] I tell you--[_Works hard--enter_ LIZBETH _with pan, which she puts on forge_.

Dave. [_Commanding_.] Come here, Lizbeth.

Lizbeth. [_Crosses to_ DAVE. _Pause_.] What? [_Falling inflection_.

Dave. [_Cautiously, approving her_.] Why, dog gone it--[_Shakes head_.] Huh! [_Swaggers_.] I tell you--[_Works_.

Lizbeth. [_Wonderingly_.] What's the matter?

Dave. [_Threatening_.] If you was to say seminary to me--[_Swaggers_.] Huh! [_Works_.

Lizbeth. [_After pause_.] What?

Dave. [_Ominously_.] Why, Lizbeth, the sooner we git married an' git out o' this, the better.

Lizbeth. [_Hopelessly_.] Well, what kin I do?

Dave. [_Working_.] Dog gone it--if I had a stidy job!

Lizbeth. [_Understandingly_.] I know that, Dave. [_Goes back to pan_.

Dave. [_Bragging_.] An' you bet your _father_ knows it.

Lizbeth. [_Portentously_.] Well, I told _ma_--

Dave. An' that's what he said. If I had a stidy job--

_Enter_ EM'LY.

Em'Ly. Hello--

Dave. Why, how de do?

Lizbeth. Can't you come in?

Em'Ly. Who's there? [_Indicates kitchen_.

Lizbeth. Only the folks and Jim.

Em'Ly. I want Jim--say--Sam's there. [_Off_.

Lizbeth. Sam Fowler!--Oh, ma--[_Exits_.

Dave. Sam--why, see here. Sam! [_Goes up_.

SAM _enters. Wears express blue and a cap_.

Em'Ly. [_Beckoning_.] Sam!

DAVE _brings_ SAM _down. Enter_ JOE, _followed by_ MRS. VERNON, LIZBETH _and_ KATE.

Joe. [_Heartily_.] Sam, Sam, how are you?

Sam. [_Shaking hands_.] I didn't know how you'd feel about it.

Mrs. Vernon. [_Shaking_.] Why, Lor', Sam--I'm glad--I'll bet Em'ly kissed him.

KATE _and_ LIZBETH _shake hands with_ SAM. _Enter_ JIM--EM'LY _runs to him_.

Em'Ly. Jim!

JIM _puts his left arm around_ EM'LY _and sits on anvil_.

Sam. [_Approaching and taking_ JIM'S _hand, smiling.] You_ didn't think I done it, did you, Jim?

Jim. [_Nods at_ EM'LY.] No, not while _she's_ keepin' house for me--ha, ha!

Em'Ly. He's _always_ stood up for you, Sam.

Joe. Well, tell us 'bout it, Sam. Did the papers have it right?

_They are a semi-circle about SAM._

Sam. Yes, purty near.

Joe. _Did_ you help the feller into your car?

Sam. Yes, we were just pulling out of the depot when he came a-runnin' up to my side door with an order from the superintendent for me to carry him as fur as Vinita. He ran alongside and put his hand up, so of course I pulled him into the car.

Em'Ly. Wasn't you scared, Sam?

Sam. Why, no--I thought he belonged to the company, and he went to work with me, sorting and fixing my express stuff.

Joe. Well, I'm durned!

Sam. [_Intensely serious._] I joked with him--just like I'm joking with you--he was one of the nicest fellows I ever saw.

Joe. [_Wide-eyed with gossip._] Don't that beat everything?

Sam. When we were eighteen or twenty miles out, an' I was stoopin' this way over a box--I felt him on my back, and grabbing at my arms--why, why--even then I thought he was jokin', and I looked around laughin', and here was his gun pokin' right into my face.

Mrs. Vernon. [_Haunted._] Just think of it!

Joe. Then he tied you.

Sam. What could I do? There was his gun--and I wasn't even on my feet--anybody could tie a fellow that way--I could tie you, couldn't I? [_To_ JIM.

Jim. If you had the gun?

Sam. Yes.

Jim. Well, rather.

Sam. [_Indignantly._] The ropes cut clean through here at my wrists, and there was a mark over one eye where I fell against the safe--and then the company said I was an accomplice.

Joe. Then I s'pose he jis' deliberately packed his little valise full of green-backs and--[_Pantomimes._]--got out!

Sam. A hundred and twenty thousand--

Joe. Jump off?

Sam. No--got off at a water-tank.

Jim. I s'pose you'd know him agin?

Sam. Anywhere.

Lizbeth. [_With nursery alarm._] He must a looked terrible.

Sam. [_Commonplace._] Well, he didn't--nice a lookin' feller as you want to see. Black mustache--kind a curly hair--looked a little bit, you know, like a race-horse man.

Em'Ly. The company said Sam wrote the superintendent's order himself.

Sam. Oh, yes--got an expert to swear it looked like my writing.

Em'Ly. Tain't a bit--like it.

Jim. [_To_ EMILY.] Did you see it?

Sam. No, but I showed her part of the letter he wrote to the newspaper, saying I was innocent. [_Feels in pocket._] Ain't that strange? Seems to be a kind-hearted fellow.

Mrs. Vernon. Jes' drove to it I s'pose by drink.

Sam. Here it is. [_Hands paper to_ JIM.

Jim. Hello! [_Looks at_ KATE.

Joe. What is it?

JIM _hands paper to_ KATE.

Kate. [_After slight start--haughtily._] What do you mean?

Jim. Oh, not you, Kate. [_Smiling, to_ SAM.] 'Twasn't Kate dressed up like a man--no! [_General laugh._] Oh, I didn't think that. [KATE _vexed, goes up-stage._ JIM _in whisper to others._] Mad? [_JOE shakes his head;_ JIM _nods interrogatively to_ MRS. VERNON.

Mrs. Vernon. [_Looking after_ KATE.] Well, I can't see why.

_Exit_ KATE.

Jim. [_After another look after KATE--to_ SAM.] Well, I suppose you know you're watched.

Sam. [_Indifferently._] How's that?

Jim. There's a Pinkerton here--come last night--had a letter to me from the Chief--sayin' they knew of me, an' hoped I'd co-operate with this fellow in watchin' you--and they'd pay well for it.

Sam. [_Smiling._] What did you say?

JIM _shakes head--goes up centre._

Em'Ly. Why, Jim kicked him off--of our stoop.

_General laugh._--LIZBETH _crosses to forge and gets pan._ ESROM _enters playing jew's-harp._

Esrom. What about the coke, Mistah Vernon?

Joe. [_At forge._] Don't want none. [_Suddenly._] See here; look at this clinker.

Esrom. Can't understand that--shouldn't ought to be no clinker in dat coke.

Joe. Well, there it is--hard as flint.

Esrom. [_Examines clinker._] Funny clinker.

Joe. Well, there it is.

Jim. Hold on, Joe. I shouldn't wonder if that was that gumbo.

Joe. What gumbo?

Jim. The poultice. I throwed it among that coke.

Joe. Yes, here's some only half-burned.

Esrom. [_Going._] I knowed they shouldn't ought to be no clinker.

Joe. But look at this red piece--as hard as a rock.

Jim. [_Half-startled._] Why, Joe--[_Looks at him._

Joe. What?

Jim. Well, nothing--

Mrs. Vernon. Well, what about breakfast, everybody?

Joe. Let's finish it--come Sam--

Sam. I've had mine.

Joe. Well, come talk to us.

Sam. [_Going._] All right--got heaps to tell you.

Lizbeth. How do you like the Southern Hotel?

_Exeunt all but_ DAVE _and_ JIM. JIM _takes clinker and turns it carefully over in his hand. Then looks through forge--goes to bench near dog, and gets on hands and knees, looking under it._

Dave. What you lost?

Jim. Here it is--[_Rises._] Some more of that gumbo. [_Crosses to forge._

Dave. What you goin' to do?

Jim. Burn it. [_Looks about as if hunting help._] Here--come pump this.

DAVE _crosses and takes bellows._

Dave. What do you want to burn it for?

Jim. [_Ignoring question._] Say, Dave--

Dave. [_Working bellows._] Well?

Jim. You know them old coal mines down by Jonesburg?

Dave. Yes.

Jim. What do they sell that slack for?

Dave. They don't _sell_ it--they _give_ it to anyone that'll haul it away.

Jim. I wonder if they wouldn't deliver it if you took a good deal.

Dave. Don't know.

JIM _whistles cheerily a moment and examines gumbo burning._

Jim. [_Pause. Sitting on anvil._] You seem under the weather, Dave.

Dave. [_Moodily._] Oh, I'd be all right, if I had a stidy job.

Jim. [_Laughing._] A steady job!--why, you've been workin' nights ever since I knew you.

Dave. I know--but Joe says--I--I ought to have a stidy job.

Jim. What's Joe got to do with it?

Dave. Well--Lizbeth--

Jim. [_Amused._] Oh!

Dave. An' I think I could get one, only he don't gimme no time off to look fur it.

Jim. Wait a minute. [_Takes gumbo from fire._] Yes, sir--she's gettin' hot. [_Puts it back and whistles a tune._

Dave. I've almost made a set o' furniture myself.

Jim. Have, eh?

Dave. Dug it out with that little draw-knife. I tell you--you can make anything that's made out of wood--with a draw-knife.

Jim. [_On anvil again._] Well, it seems to me, Dave, that you're going at it the wrong way.

Dave. How's that?

Jim. The old man won't give his consent till you git a steady job.

Dave. That's it--

Jim. And you want a steady job so's you can marry Lizbeth?

Dave. Exactly.

Jim. Well, you marry--marry Lizbeth, and you'll have a steady job. [_Gets down._ DAVE, _absorbed with the idea, pumps vigorously._] Hold on! [DAVE _stops;_ JIM _takes gumbo from fire with tongs, and plunges it in the water._] Yes, sir, there it is--hard as a rock--and ain't it a purty color?

Dave. What you goin' to do with it?

Jim. I don't know but if the Wabash could get enough of it to ballast that track that washes out every spring, I think they'd take it.

Dave. [_In admiration._] Well, I'm durned. The raw gumbo is all along their track. Wouldn't cost you nothin', would it?

Jim. Not if I kin get that Jonesburg slack--ha, ha!

Dave. Why, that's great!

Jim. [_Drawing watch._] It's a half hour before train time. I'll jump to St. Louis with the scheme. [_Stands thinking._

Dave. [_Going._] I got to get the leather put on this shaft--but that's great. [_Exit._

KATE _appears in outside door._

Kate. [_Coming toward_ JIM, _who is turning gumbo thoughtfully in his hands._] Jim!

Jim. Why, Kate--[_Gumbo._] See here--how's this for an idea?

Kate. What did you mean--by this? [_She extends letter._

Jim. Why, just that. I thought it looked like his writin',--same backhand, and no shadin' to it.

Kate. How could Mr. Travers have written it?

Jim. Why, no use gettin' mad, Kate. It kin look _like_ his writin', can't it?

Kate. [_Going to anvil and leaning on back of it._] You don't like him, Jim, do you?

Jim. [_Picks up old horse-shoe._] Well--[_Mechanically pounds gumbo with horse-shoe._

Kate. [_Pause._] Not much--

Jim. No--not a great deal, Kate.

Kate. [_Displaying the letter._] Do you think he's a bad enough man to have done this?

Jim. Well, a fellow who takes a risk like that--to clear another man who's been arrested in his place, ain't so bad.

Kate. A train robber!

Jim. Why, I don't _say_ he done it.

Kate. But you think so.

Jim. [_Laughing._] Oh, no, I don't--there's a ten thousand dollar reward for the right man.

Kate. Then why hand this letter to me? Why imply it?

Jim. Why, Kate, I'm a friend of--your pa's--I've known you ever since you was eight or ten years old. I don't know this man Travers--_you_ don't know him. He comes to your house.

Kate. Well.

Jim. Comes to see you, don't he?

Kate. [_Getting in front of anvil._] He does--what of it?

Jim. Why--I don't think I'd like a preacher of the Gospel if he was to do that. [_Pause._] I--I never meant to say anything--but when men--other men--I mean anybody gets to payin' you attention, why, I'm afraid to keep still any longer--

Kate. [_Turns away._] To keep still--

Jim. [_Advances._] Yes, I've been sheriff here, an' whenever I've had anything to do, I've said to myself, now don't--do anything--ugly--'cause Kate--[KATE _turns toward him; he qualifies tone._] some day, you know--Kate might think more of me if I hadn't done it. You know yourself that I quit drinkin' a year before the local option--on account of that essay you read, examination day--why, Kate, I care more for how you feel about anything than I do for anybody in the State of Mizzoura--that's just how it is. [_Pause._ KATE _is silent._] You kin remember yourself when you was a little girl an' I used to take a horse-shoe an' tie it on the anvil an' make a side-saddle for you--an' I reckon I was the first fellow in Bowling Green that ever called you. Miss Kate when you come back from school.

Kate. [_Rather tenderly._] I didn't want you to call me Miss Kate, Jim.

Jim. Jes' fun, you know--an' now, Kate, when you're a woman, an' it's only nature for men to like you,--I've got to ask you myself.

Kate. [_Pause._] I'm awful sorry you did it, Jim.

Jim. Sorry!

Kate. Yes, because I like you well enough, Jim--but--[_Pause. Enter_ JOE. KATE _stops._

Joe. Say, Jim--

Jim. [_Motioning_ JOE _to silence._] Go on, Kate--I ain't ashamed of it--before Joe.

Kate. That's all there is to it--I just like you.

Jim. Well, I didn't know--you used to let me kiss you--

Kate. Yes, when I was coming home from school--I did. I thought I was going to love you then. But there was the school. [_Pauses_] If I hadn't gone to Lindenwood I might have thought so still. But we could never be happy together, Jim--you haven't had proper advantages, I know, and it isn't your fault. My _education_ has put the barrier between us. Those four years at the Seminary--

Joe. [_Indignantly._] Why, Kate Vernon--everything you know, Jim Radburn--

Jim. [_Imperatively._] Hold on--[_Pause._] You've heard her say no, and--that lets you out. As far as I'm concerned--why, Kate's nearly right. I don't know any more'n the law allows--but--that's for Kate to say--

JIM _extends his hand in appeal to_ KATE. KATE _turns her back to audience--leans on anvil, firmly shakes her head "No,"_ JIM _motions silence to_ JOE; _makes a struggle, and pulls himself together--turns and kneels by dog, caressing it._

CURTAIN.

Monologues from this play